Of all my beautiful dresses, I have to say, that my vintage pieces stand out best, for their beauty, timelessness, intricate craftsmanship, and flawless fit. Well, the fit may have a little to do with the tweaks I offer each piece, at the Labl studio, but the construction of garments produced before the economic trend of overseas factories of the 1990’s, were cut and designed to be altered for each client to their individual measurements.

Walking into vintage stores today, there are many pieces a well seasoned shopper such as myself will recognize, amongst these such designer labels as Lanvin, Pucci, Christian Dior, and Halston, but not only. It seems that more and more clothing racks seem to filling up daily with big shoulder pad jackets and gathered taffeta skirts: when did 80’s fashion become vintage?

vintage collage 001


To define vintage is a tricky task, because it really depends on who you ask. To an eighteen year old girl, 80’s fashion is “totally retro”, but to a mature woman who shopped during the 80’s, it is simply an era of bad fashion and teased hair.

Over the course of more than a decade, Labl studio has worked with many popular vintage stores in Toronto, Canada, such as Shrimpton Couture, I Miss You Vintage, 69 Vintage, and Stella Luna to name a few. It is the opinion of the vintage connoisseur that “true vintage” pieces are found from the 1920’s through the late 70’s.

These pieces were made in a different time, when people’s wardrobes did not extend into a separate room, but were housed in true wardrobes, a piece of furniture spanning a whopping 5 ‘ wide maximum. Ever wonder about these tiny closets you find in older homes? Yes, they were for real. These were times when women had a few casual dresses, a couple of good dresses, a good suit, and a good winter coat.

The art of clothing construction in these times was truly an art form; from cut and sleek design, to the beading examples, to the expert hand sewing, and finally the sharp fabrics of the era.

Today these pieces can not be replicated for the most part. Because the fabrics no longer exist or the labour costs alone would bankrupt any business today or simply the skill set is almost extinct. This is the cache of true¬†“vintage”.

At Labl Studio, vintage recreation and restoration, is a true labour of love.

I have dedicated mad hours studying dresses and garments from these eras of fashion past, and I am always amazed at the incredible stories they reveal. I have perfected many skills required to construct these garments, such as adjusting seams, concealing and repairing tears, the insertion if new panels to replace torn panels, hand beading, etc.

Vintage is a true passion for me because if its’ beauty and mystery, one that may never truly be revealed to me, and so my passion burns on and on and on..